Travelers Welcome

Travelers Welcome

Sunday, April 29, 2012

Footwork

by Michael Dwayne Smith

My father leaned on bars like
            Nureyev tipped on floors.
                        It was a certain grace: a red
            rag body
slipped and poured into
            furniture—
fixed or laughing, pissed or dancing,
            the little shit could flick a jab with his left
            quicker’n you could think.
It was goddam
ballet: spin around the stools and
            work the crowd,
jokes and hands and pinch an ass
            and here the drinks’d come. Flatter
the fat woman, flirt with
            the fag in the overdone eyes,
                        Dad was
King For A Day, scotch and blowjobs for life,
            bobbing and weaving,
                        flipping the pages
of his encyclopedic brain, where he’d recorded
            every racist joke
                        he’d ever heard.
But trading one drink for three
            was his specialty. “Always buy
                        first,”
he’d tell me, “serve with bullshit buddy-speak
            and machismo drool.”
                        And just to keep the
            timing right, he’d kick
the occasional fight. “Keeps gas in the tank,
            n’ smoke in the eye,” he’d say.

The burning day I
            busted his face, reeling around
            from behind the rust-red pump
                        at a Vegas filling station,
he dropped to the pavement and smiled like
I'd arrived.  He lept to his feet,
paid cash for the fuel,
and in the viscous heat,
for the first time in years, he called me
Son.  The toothless
attendant laughed
in the swirling sand, waved the ragged bills
as we sped away.
And in the red of the blood of my father's eye,
I saw the sad choreography of it all:
one movement
making necessary the next,
the hard logic
of ignorant pain,
the strained chorus of loss, the tragic
gravity of
cuts and glass and falling down drunk
and stinking sex—


we drove for hours without a word.

We met again in Barstow, several months later,
in a gritty lounge from a noir film,
his face a relief in shadow and stone.
He had the cancer then, but didn’t know.
Mother
            traveled with him,
drinking gin, alone, again—
a trembling rabbit, in a black corner booth.
She watched, shitfaced, seated in yet another
smoke and dim theater,
a stage where nightly he’d performed, forever.
                        The old man
was artful. Knew his audience well. He’d learned
            to lean his bones in a
carcinogen wind
                        and dance,
and dance, until he fell.

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