The Camel Saloon invites original and previously unpublished poetry.
Prose pieces may also be considered for placement in the tavern itself or in The Bactrian Room.
For the general philosophy of the joint, see the Editor's Interview at Duotrope: http://www.duotrope.com/interview.aspx?id=4744
Please single space all submissions. For prose, do not indent paragraphs. Instead, justify to the left.
Except by prior arrangement, word attachments will be returned unread.
HAT AND COAT CHECK POLICY
The editor requests that the following be checked at the door:
(1) Poems about being a poet, poems about writing poetry, poems about poets, and poems about poetry or about writing in general;
(2) Poems about cats; allusions to cats; or mention of same;
(3) Poems that conclude by asking a question;
(4) Poems degrading to diversity or demography;
(5) Poems of complaint without empathy or solution; and
(6) Pithy thoughts or aphorisms of a few lines masquerading as a poem.
On poems about the 1960s, the War in Vietnam, and all related personages and events, the Saloon prefers to let the dead rest in peace, and for the ghosts to speak for themselves.
No self-pity. No whining.
Please refrain from word attachments unless requested.
Simultaneous submissions will not be accepted without specific permission.
The Camel Saloon reserves the right to bestow preferential treatment upon any patron who includes with a submission his or her or a friend's original photography of the city, farm, forest or other locale portraying the place where the contributor lives, works, plays or wanders. Please include the specific location of the scene and the name of the photographim or the photographer.
Published work will be retained in the archives of The Camel Saloon on a non-exclusive basis. The Camel Saloon may select certain works published in this or an associated space for inclusion in annual, "best of" or similar electronic or print anthologies or highlight issues.
Thank you for your patronage.
Prices subject to change according to customer's attitude.